A campy chronicle of the lusts and loves of the men and women who work on a low-rent TV show called, "The Love Judge."

GOOD GRIEF is a dark comedy about eight estranged friends who return to their childhood hometown in order to attend the funeral of their best friend, comic artist Cory Burns. The film explores the unique qualities and dysfunctions of these friends who, even before they unpack their bags, discover they each have become a stark contrast to their nostalgic childhood that Cory based his comic on.

On a road trip to scatter her dad’s ashes, Nora’s family does a substandard job of paying their respects.

When he learns that his daughter is to be engaged to the son of a rich businessman, Leon Martin realizes that extreme measures are needed to create a good impression.

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Nina, a young actor, returns to the Ruhr region for her grandmother’s funeral. Tensions surface between her and her mother. The noises of a small town fill the eloquent silences in the complex mother-daughter relationships explored in this endearing film.

The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely idiosyncratic ways. But as the family members scatter into private, isolating grief, an unexpected visitor arrives, and they find themselves growing more alert to the hurt, humor, warmth, and burdens of others—to the grief that is part of every human life but that also carries within it the power to draw us together.

In 1986, Miller's End, Kentucky has become the target of something wicked. Many fall victim to a malevolent presence as a lawman and a mourning father are hell bent on solving the mystery and saving their town.

After journeying to Middle-earth together for the “Lord of the Rings” movies, Cate Blanchett and Ian McKellen are playing more grounded roles in this year’s films. In “Mr. Holmes,” McKellen stars as the famous detective in old age. Blanchett pulls double duty in “Carol,” as a 1950s housewife who falls for a younger woman; and in “Truth,” in which she plays embattled “60 Minutes” producer Mary Mapes.